< The sculpture La Fisiología del Gusto [The Physiology of Taste] by Adán Vallecillo presents the contradiction between the stainless steel tray, from the world of gourmet cooking, and its content of hundreds of corroded teeth. This macabre recipient alludes to the foreign medical teams that have arrived at the indigenous communities in the poorest regions of Honduras, extracting the decayed teeth of the inhabitants. Vallecillo exposes the waste and precarious living situation of these groups, while shedding light on the accumulation of this extraction, and the need for a remedial politics. Physiology – the science that studies the organs, including the functions of taste – operates in this work as a critical metaphor to identify the socially approved and the rejected. The tray with the teeth therefore provokes in the viewer a physiological and social distaste, generating a moment of awareness and recognition of the violence involved in these politics of extraction. >  [text> Venice Biennale 2011]

[1> Adán Vallecillo_La Fisiología del Gusto [The Physiology of Taste], 2010. Carious teeth and stainless steel tray, 3 x 44 x 25 cm. via vvork] [2> Adán Vallecillo’s installation representing Honduras at the Venice Biennale 2011 by daniel fernández pascual]

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  1. Your previous blog entry was more upbeat :-)

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