Mapping Political Destructions in Darfur

^ Ishma, Darfur, before and after attacks in 2004-2005. Image via Eyes On Darfur.

 

‘It’s been forty years since the first images of Earth from space were captured, but the sight of our planet is still inspiring. Now, Amnesty International is harnessing the power of these images and putting them to work for human rights. Thanks to high resolution satellite imagery, human rights advocates can now document abuses anywhere in the world – even in countries that are sealed off from on-the-ground researchers. All from 280 miles above the Earth’s surface. To make the Eyes on Darfur project possible, Amnesty International acquired commercially-available high resolution satellite imagery. The images were obtained in GeoTIFF format and imported into ERDAS Imagine and ArcGIS for viewing and analysis. The analysis of the images was undertaken by the American Association for the Advancement of Science (AAAS) to determine the extent of damage to the structures visible in each image.’

[source> Eyes On Darfur]

 

 

^ Saraf Jidad, West Darfur, before and after attacks in 2008-2009. Image via Eyes On Darfur.

 

 

 

^ Porta Farm, Sudan, before and after attacks in 2006. Image via Eyes On Darfur.

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orwellian

 

Taking the notion of ‘orwellian‘ that refers to a destruction of the welfare of a free and open society in a regime of surveillance and control as reflected in George Orwell’s work, dpr-barcelona just launched a new publication exploring the possibilities of Architecture-related publications within new media. The graphic content of Orwellian has been adapted for Augmented Reality interaction, and presented last week at the Apple Store in Barcelona. The potential of expanding the printed matter beyond its material format, thanks to smartphone possibilities, allows adding complementary layers of simultaneous information.

Contributions included our net-friends The Funambulist, radarq, THNMD, as well as deconcrete.

You can check the issue here, and explore it with the application developed by Aurasma.

 

 

 

 

 

 

 

 

 

 

More on Augmented Reality:

 

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Lost Continent found in Seychelles through zircon crystals

^ Displacement of Reunion hotspotand the Indian plate. The numbers in circles mark millions of years. The area just underneath the sea surface will be considered as continental fragments from now on. [source> GFZ]

 

Under the law of the sea, if you can demonstrate you have a piece of continental crust, on which you can put your flag, you can immediately claim 200 nautical miles around it. And that’s yours under the law of the sea to do what you like with economically. So there’s some degree of economic significance to something that might be purely scientific in terms of its discovery.‘ [Richard Arculus, Professor of Geology, Australian National University]

Audio Source> abc News, after the study A Precambrian Microcontinent in the Indian Ocean, by Trond H Torsvik et al, published in Nature GeoScience 24/02/2013

 

 

^ Zircon crystal from Brazil. Image via examiner

 

Other similar cases of archaeo-geological argumentation for claiming territories:

 

Lord Howe Rise, west of New Zealand

 

Garoé Underwater Formation, Canary Islands, Spain

 

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The Forgotten Space

^ Still from The Forgotten Space by Allan Sekula and Noel Burch, 2010. 112 min.

 

‘Human beings are over 70 per cent water. 90 per cent of international trade moves via water. Yet, as Allan Sekula and Noel Burch argue in this brilliant and internationally acclaimed film essay, modern society is ‘terracentric’, and thinks that history only happens on land.’ [Source> rmg] 

The Forgotten Space follows container cargo aboard ships, barges, trains and trucks, listening to workers, engineers, planners, politicians, and those marginalized by the global transport system. We visit displaced farmers and villagers in Holland and Belgium, underpaid truck drivers in Los Angeles, seafarers aboard mega-ships shuttling between Asia and Europe, and factory workers in China, whose low wages are the fragile key to the whole puzzle. And in Bilbao, we discover the most sophisticated expression of the belief that the maritime economy, and the sea itself, is somehow obsolete.

A range of materials is used: descriptive documentary, interviews, archive stills and footage, clips from old movies. The result is an essayistic, visual documentary about one of the most important processes that affects us today. The Forgotten Space is based on Sekula’s Fish Story, seeking to understand and describe the contemporary maritime world in relation to the complex symbolic legacy of the sea.’

 

 

^ Still from The Forgotten Space by Allan Sekula and Noel Burch, 2010. 112 min.

 

Thanks, Bea!

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POST+CAPITALIST CITY

The final results for the 3rd edition of the POST+CAPITALIST CITY Competition cycle, LIVE, organized by Collage Lab and for which I have been one of the members of the jury, have been just announced!!


[be, inhabit, subsist, experience]
 
«Man’s relation to locations, and through locations to spaces, inheres in his dwelling. The relationship between man and space is none other than dwelling, strictly thought and spoken.» ~ Martin Heidegger, Building Dwelling Thinking 1951
 
According to the last report of the United Nations Population Fund, we have reached 7 billion people with 7 billion possibilities. Nonetheless, those 7 billion possibilities don’t correspond to 7 billion of equal possibilities. There are as many ways of living as people on the planet. The increasing demographic changes – due to the combination of medical and technological progress leading to the growth of aging population and the decrease of birth mortality – tend to generate fast informal expansion of urban territories: whereas demographics in Europe announces a limited growth for the future, the prognostic numbers concerning Asia and Africa are alarming. Studies prove that education level, birth rate and average income are intrinsically linked and that by facilitating education in the countries in situation of high poverty, we could reach a necessary state of balance.
 
But the question induced behind those numbers is the question of “how”.
 
The worries seem to focus on space: we can observe the horizontal development of slums and shanty towns – which Robert Neuwirth proposes to stop considering as informal or a-normal but instead, to recognize as an acknowledged architectural typology as it is one of the most common – if not the most – around the world while, at the same time, ex-industrial towns see their population shrinking. Also the mortgage crisis of 2008 in U.S. lead to the non-desired abandonment of thousands of houses nowadays, that organizations likeTake Back the Land” are trying to get back to use by claiming the “right to housing”. If it is not a question of space available, what is it about?
 
But the right to housing is not only a question of global scale or global balance. The access to private space – for rent as for sale – and the evolution and diversification of the ways of living took an unlikely direction over the last years: the personal guarantees one has to insure in order to have a roof, and the non-proportional raise of the prices of the real estate market against average salaries drove to trivialize shared living spaces, irrespectively of the personal situation, age or family status. Even more, the criteria of admission for getting an apartment do not stop reinforcing whereas the working policies tend contrarily to liberalize: the seeker is submitted to high competition where the perfect concurrent has something which is about to disappear: the perfect job for life and the good reputation in some countries directly ranked through your bank account data.
 
Could we think about an alternative society in which we could perceive space as part of a four-dimensional system in which the inhabitants, the use and the occupation can alter in time? If consuming were not the main motto anymore, if production and distribution would be reduced to the satisfaction of our global basic needs, wouldn’t we have more free time to live? Where would personal creativity and action find its place? How could a post+capitalist society affect our daily lives and the way we envision housing?
 
Would we still own and if yes, what would we own? Compulsory, the heritage to our kids would be a different one. Assuming that our cities can provide “everything we need”, how could an after crisis scenario look like? What would happen to real estate if there were no speculation on living? What would be the scale of inhabiting: will there be controlled islands or open spaces for free evolving community structures? Will we live close or enclosed from nature? Will we occupy even more space or will we switch to minimal standards of living? How would it change the structure of the megacities and their infinite expansion?

 

The jury was held in London on the 2nd of February, 2013.

Jury Members: Petra Havelska, Ioana Mihailescu, Daniel Fernández Pascual, Joanne Pouzenc, Philine Schneider.

Since it was hard to decide whether the POST+CAPITALIST CITY has to be approached through dystopian scenarios; poetic forms of dwelling; or real-estate feasibility, we eventually awarded THREE FIRST PRIZES among the finalists. Congrats to all!!!

 

PARIS CIRCLE, by Philip Clemens – Australia:
On 3 June 2010, the French National Assembly and the Senate adopted Law 2010-597 which formalised the goal to build 70,000 new homes within the Paris metropolitan region each year. This project takes Law 2010-597 as a starting point in an alternate future where Paris is reconfigured at a massive scale by a single line inscribing its boundary, clarifying its interior. This line takes the form of a circle 15.9km in radius, exactly 100km long. This circle has a width of 6.7m and has ten stories. Separated from the towers of La Defense, it looms above its neighbours. There are four typologies of apartments with variations based on the location of communal spaces that puncture both façades. On average, there is a new apartment every 14.2m with provisions for circulation, maintenance and communal spaces. In total, there are 70,000 apartments within the circle. Scale distorts. The line is a circle is a building. The building is wall is home. The abstraction forces its exceptional status within the city. Yet it remains necessarily habitable, an ambivalent figure, looking out in both directions. Knife thin, the Paris Circle defines and exists within both metropolis and hinterland. Thus bound, the metropolis turns inwards, upon itself.

 

PETRZALKA, by Natalia Petkova, Paula Petkova, Bernardo Robles Hidalgo – Slovakia / Spain:

Architecture is a potent expression of ideology. But nowhere is this made more evident as when it outlives the ideology that conceived it. In such cases, the built environment is compelled to reconcile with new societal aspirations, or face its untimely demise, be it physical or spiritual. Petrzalka, a prefabricated mass-housing estate, which flowered under the communist regime in 1970s Bratislava, is the densest of its peers in all of Central Europe, housing one third of the city’s population. The demolition of the estate after the Velvet Revolution of 1989 was therefore inconceivable. Instead, standing among the ashes of the regime that constructed it, the 150,000-strong community suffered substantial neglect and deprivation under the ‘turbo’ neo-liberalism that swept through Slovakia. Our tale of life on the estate – a bricolage of reality and fiction – seeks to illustrate the uniquely human capacity to re-imagine and re-appropriate spaces, mobilizing their latent potential, and paving the way for regeneration. Against a background of concerns regarding urban sprawl, and the reality of the shrinking welfare state, we attempt to give sense to – and take advantage of – the existing ‘architecture of congestion’.

 

 

 

MACRO-LOT, by Camiel Van Noten – Belgium:

Macro-Lots examines strategic mutations of existing lot divisions in order to create a new housing condition, based on collective ownership. It proposes both a physical concept of combining multiple lots to enable new housing conditions, and a socio-economic strategy, which strives for affordable homeownership as a collective interest. This strategy focuses on the border condition in North American cities. These neighborhoods are located at the edge of the city and are inhabited by a socially disadvantaged class. These types of urban fabric symbolize the social inequality as a result from the uneven development inherent to neoliberal urbanisation. The most recent foreclosure crisis has proven that the current parcelization structure is not viable anymore. The system of private ownership of land led to high personal independency of European immigrants one hundred years ago, but now has become a major source of social and economic inequality. Therefore, the concept of a macro-lot derives from the idea that a new parcelization structure, consisting of larger ëamalgamatedí lots, enables a new housing condition based on collective instead of private ownership. A macro-lot arises by combining multiple portions of or complete lots together. Local homeowners, who encounter financial difficulties, can decide to join the macro-lot. Furthermore a macro-lot will provide new housing units. The new context, obtained by omitting the parcel boundaries, enables different typologies as a alternative on the existing housing stock. As an answer to the current housing issues, the main goal of a macro-lot is the provision of affordable homeownership. The division of land- and homeownership, based on community land trust ideas, is the fundamental principle of the financial structure of a macro-lot. However, more than an architectural design, the concept of a macro-lot primarily represents a socio-economic reorganization. A macro-lot arises from a group of people who believe they are stronger together than alone. By definition, a macro-lot cannot be imposed on people, since it is set up, maintained and expanded by its residents. Therefore a macro-lot cannot be imagined by one person in front of a laptop. The involvement and the informing of the inhabitants is the most important ingredient for the success of a macro-lot.

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Exception / Exemption

^ Black vultures waiting for coming benefits via abc

Sadly, we read today on the news that Eurovegas, the doppelgänger of Las Vegas in Europe, is going to settle in Madrid periphery by the end of this year. Not underestimating the potential of more Venturis and Scott Browns that this tragic event might generate in the future, I am more worried about a Spanish political class that seems to have learnt no lesson from the recent financial and real estate burst.

How can Madrid regional government allow millionaire Sheldon Adelson to turn now 750 hectares of rural land into a mega-city with four resorts housing 3,000 rooms each, shopping malls, convention centres, and casinos…? Again? Didn’t we have enough? Madrid region has accepted to reduce the gambling tax from 40% to 10%, special offer for Mr Adelson. High-rise buildings without any height limit, special offer for Mr Adelson. And smoking allowed in his buildings, contrary to the law that is effective in the rest of the country. It is also very remarkable to see which landowners will profit from the sale of the site to build it (map below).

^ Landowners who would profit from selling the rural land necessary to build Eurovegas via burbuja.info

 

^ Casinos in the making, supervised by Mr Adelson via eurovegasmadrid

How do politicians dare to justify Eurovegas as the final solution to the crisis and austerity measures, just at the same time when the President of the country and several ministers are suspicious of having constantly received slush money from real estate investors during the past decade? [source> The Economist]

What if Spain had been living in an undeclared state of exception since 1997, date when the speculative Land Law that led to the current situation was passed? Urban planning legislation, meant to protect the urbanization of a territory, has not been officially suspended, but constantly shaped to certain interests of those in power.

As G. Agamben argues, the State of Exception rather than being a provisional measure became a working paradigm of government in the course of the 20th century. ‘The state of exception separates the norm from its application in order to make its application possible.’ He brilliantly begins his book with the Latin quote: ‘Why are you jurists silent about that which concerns you?’.

Could Madrid government be smart enough to oblige Mr Adelson to include high-tech research labs as a requirement to build his casinos instead of providing millionaire tax exemptions?

Nice evening to watch Berlanga’s Welcome, Mr Marshall! Franco died, yes, but we are still stuck in 1953.

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Form following Waste & Kinship

^ Monument built with whale bones in Alaska. Image via bloomberg tv

 

If we look at two types of traditional dwellings in the North Arctic area, whalebone structures and snow houses, we can read a whole ecology and economy on their floorplans. Material structures and spatial configurations blend together in a necessary adaptation of the soil into human habitation.

The most impressive form of the house according to available raw materials is the one resulting out of the waste coming from whaling activity: the lack of trees in the landscape makes whalebones be used as beams for dome-shaped structures. These used to be later covered with turf, snow or already worn-out sealskins for isolation.  Each Inuit whalebone structure was usually composed out of 15-20 jawbones from bowhead whales. They were seasonal shelters used following different hunting patterns throughout the year. In a recent study, Infranet Lab visualizes time in an arctic environment by tracking the nomadic hunting activity that makes settlements still count on an itinerant use of the landscape. Unfortunately, today more and more poorly isolated prefab houses are clashing with seasonal inhabitation of eskimo territories.

 

^ Bowhead whalebone structure via myriammahiques

 

^  Alaskan eskimo house (skins and whalebone) ca. 1906 via University of Washington

 

^ Engraving of a house made with whalebones, Olaus Magnus 1555. Image via sciencephoto

 

^ Thule Winter house – Whalebone structure. Image via the canadian encyclopedia 

^  Image via Indigenous Architecture of the Americas.

^  Whalebone structure in Point Hope, Alaska. Image via virtual tourist Point Hope.

 

Snow houses have traditionally followed a pattern of co-residency through clusters of connected or disconnected igloos. The dwellers of each cluster were determined by alliances between families and household organizations, leadership or kinship. Composite snow houses could therefore mutate with the years. They included indoor public space for festivals, feasts and games, singing, drumming or dancing, for the members of the cluster. Spaces were shared according to respect-obedience relationships between different male members of the alliance/family.

The three cases below correspond to houses from 1922, 1866 and 1915, as published in Space Syntax Analysis of Central Inuit Snow Houses, by Peter C. Dawson. Journal of Archaelogical Anthropology, Dec 2002.

 

^ Snow House Longitudinal section. Image via the canadian encyclopedia

 

 

^ Holcim Awards Gold 2011 for Food Arctic Networks, by InfraNet Lab. Images by  via detail-online.

 

^ The idea of enclosure of common ground within a household graphically reminds also of the brilliant organization of traditional farms in Cameroon, where the intimate areas configure the boundary of the public realm.  Image via zkfound

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The Competitive Hypothesis

 

WE ARE OPENING next Tuesday THE COMPETITIVE HYPOTHESIS exhibition at Storefront for Art and Architecture, New York.

come along!!

 

The Competitive Hypothesis 
An exhibition examining the politics behind the architecture competition

Exhibition Opening: January 22, 2013, 7PM
Exhibition: January 22 – February 15, 2013

 

The Competitive Hypothesis is an exhibition examining the politics behind the architectural competition. The exhibition, presented in partnership with Think-Space, questions the current state, purpose and value of architecture competitions.

Through four curated spaces within the gallery, The Competitive Hypothesis,  presents major architectural competitions produced within the past few years, objects from competitions used to gain competitive advantages, dioramas of image fragments sourced from a selection of recent urban design renderings, and short texts and self portraits of some of the unknown minds of significant competition winners (ie. interns). The Competitive Hypothesis will highlight the double meanings inherent in the ‘competition’: on one hand referring to the competition as a procurement mechanism for projects, on the other referring to an ethos or disposition that permeates work practice. This exhibition turns to both of these possibilities in order to continue an investigation into architecture’s present condition.

 

Exhibition Credits

Curated by Adrian Lahoud

 

Curatorial Team

Ana Dana Beros, Kata Gaspar, Carmelo Rodríguez Cedillo, Daniel Fernández Pascual, Ross Exo Adams, Ivonne Santoyo Orozco, Davide Sacconi

 

Exhibition Design by Amanda Clarke and Adrian Lahoud

Graphic Design by Rafaela Drazic

 

About Think-Space

Think Space is a wide scale disciplinary intervention using a design competition, exhibition, unconference and publications as its material. More information: http://www.think-space.org

This exhibition is organized in partnership with the Zagreb Society of Architects and funded in part by Graham Foundation, Croatian Ministry of Culture and ACO Croatia. Additional support for Storefront for Art in Architecture’s exhibitions and programs are made possible by the Andy Warhol Foundation for the Visual Arts; the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature; public funds from the New York City Department of Cultural Affairs in partnership with the City Council; The Peter T. Joseph Foundation; by its Board of Directors, members and individuals.

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Building Crises: The Shock Doctrine

 

Makes me feel terribly worried and scared about the current wave of ongoing privatisations of education, justice and national health system in Spain. The real estate bubble and consequent financial burst post-2007 are being ferociously used to approve ‘disaster capitalist’ measures favoring a minority of oligarchs, arguing that it is the only way of solving the crisis they generated.

Spain 2008: 16,118 demonstrations

Spain 2012: 36,232 demonstrations. [source> publico]

 

 

‘In THE SHOCK DOCTRINE, Naomi Klein explodes the myth that the global free market triumphed democratically. Exposing the thinking, the money trail and the puppet strings behind the world-changing crises and wars of the last four decades, The Shock Doctrine is the gripping story of how America’s “free market” policies have come to dominate the world– through the exploitation of disaster-shocked people and countries.

At the most chaotic juncture in Iraq’s civil war, a new law is unveiled that would allow Shell and BP to claim the country’s vast oil reserves…. Immediately following September 11, the Bush Administration quietly out-sources the running of the “War on Terror” to Halliburton and Blackwater…. After a tsunami wipes out the coasts of Southeast Asia, the pristine beaches are auctioned off to tourist resorts…. New Orleans’s residents, scattered from Hurricane Katrina, discover that their public housing, hospitals and schools will never be reopened…. These events are examples of “the shock doctrine”: using the public’s disorientation following massive collective shocks – wars, terrorist attacks, or natural disasters — to achieve control by imposing economic shock therapy. Sometimes, when the first two shocks don’t succeed in wiping out resistance, a third shock is employed: the electrode in the prison cell or the Taser gun on the streets.

Based on breakthrough historical research and four years of on-the-ground reporting in disaster zones, The Shock Doctrine vividly shows how disaster capitalism – the rapid-fire corporate reengineering of societies still reeling from shock – did not begin with September 11, 2001. The book traces its origins back fifty years, to the University of Chicago under Milton Friedman, which produced many of the leading neo-conservative and neo-liberal thinkers whose influence is still profound in Washington today. New, surprising connections are drawn between economic policy, “shock and awe” warfare and covert CIA-funded experiments in electroshock and sensory deprivation in the 1950s, research that helped write the torture manuals used today in Guantanamo Bay.

The Shock Doctrine follows the application of these ideas through our contemporary history, showing in riveting detail how well-known events of the recent past have been deliberate, active theatres for the shock doctrine, among them: Pinochet’s coup in Chile in 1973, the Falklands War in 1982, the Tiananmen Square Massacre in 1989, the collapse of the Soviet Union in 1991, the Asian Financial crisis in 1997 and Hurricane Mitch in 1998.’

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Diwaniyah: An Architectural Space of Political Exchange

 

A brilliant research piece by Joseph Grima and Markus Miessen, videography by Elian Stefa, on Kuwait’s Diwaniyah: four-sided spaces with perimeter seats for men’s meetings, discussions and informal assemblies, and the role they play in shaping debates on contemporary politics of the country.

 

Read full essay published in Zawia Magazine#00

images: video stills via The Winter School Middle East

 

 

 

 

 

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On Extralegal Space in Belgrade

 

‘The illusion that illegal construction brought a dispersion of power in the production of space dissolved, and it became obvious that the power just shifted into the hands of developers who merely used the illegal as their legitimate field.’ [DS]

 

Glotzt nicht so romantisch! (after B. Brecht’s statement Don’t stare so Romantically!) is Dubravka Sekulić’s brilliant research on Extralegal Space in Belgrade (Jan van Eyck Acadmie, 2012). A deep look into former Yugoslavia’s housing policies shaping the countless roof extensions that can be seen all over today. These built-in additions are a literal remnant of both socialist and neoliberal acts of informal negotiations for the addition of new floor area beyond the legal height limits. She takes the case of the so-called Russian Pavilions (post WWII) to take us into a trip through residential markets. Coming from 1960s strategy of co-ownership – to motivate people to invest personal funds in housing construction,- the practice of ‘wild building’ led to the invention of land and housing property as a veritable source of income. This even reached a point where even some people quickly built mock-ups of construction they were planning to build later, just to have them registered on the satellite image for future legalization.

If real estate and the right to housing in 1990s socialist Yugoslavia started a process of individual appropriation of collective commodities, the corruption of the 2000s evolved into a more elaborate turn of the exception into the norm. The analysis of the built form of a roof unveils the struggle of citizens in shifting a political mind-set from one extreme to the other. As Sekulić states, the attitude towards space changed from societal, though it was not entirely clear what this meant, over to more private, so from ‘ours’ to just ‘mine’. This reflects the schizophrenia of how real estate property as such was born out of informal economies to later raise the entire economic system of a nation in the making.

The triad developers-municipality-inhabitants composed a complex set of clever negotiations that detected any loopholes in legal frameworks and allowed them to manoeuvre in the blurry landscape of temporary permits and building legalization. They all fought everyday austerity with a pure sense of entrepreneurial greed to keep up with the Jones’. If a neighboring block could grow a few floors, so could mine. Extralegal Space in Belgrade teaches us a devastating lesson on market syndicalism through Belgrade’s architectural parasites.

 

 

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The Great Spanish Crash

BBC, 2012

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G O V ‘ T cocktails

Yesterday’s tasty presentation of ‘Displaced Soils – The Geopolitical Cooking-Performances’ at Elia Zenghelis Workshop, Bartlett School of Architecture, London.

 

A collective performance, where guests have to eat and drink without hearing, brings clinical and territorial space together.

G O V ‘ T cocktails are served using 3 ingredients originated out of herbal medicine – Gin, Vermouth and Tonic – as well as the very essence of Mediterranean landscape: Olives. It takes place at the new building of the Bartlett School of Architecture, built in 1927 to house the first Ear Hospital in the UK.

Gin became popular in Dutch and Flemish modern era for treating stomach, kidney and muscular diseases. Dry vermouth was used as a medicinal libation in the 18th century. And tonic water was created as a carbonated soft drink to prevent Malaria in British colonial India through the quinine it contains. The existence of these three fluids was subject to a physical menace to the invaders’ physical health.

Olives impersonate Mediterraneanism, through which sovereignty over a territory has been linked to olive groves and the human presence they can empower or disempower. If for the Romans, olive trees were the most practical weapons to colonize non-fertile and vacant land, Israel today is uprooting Palestinian olive trees to erase any trace of historical villages.

Spain, Italy and Greece, main olive producers worldwide, have experienced intense corruption concerning EU subsidies for agriculture. These subsidies have constructed both real and fictional terrains. The amount of planted trees has often been faked through photoshopped aerial imagery to receive more financial aid. Recent formulas of re-thinking how to add speculative value to land go through the demarcation of new food landscape boundaries. The European Protected Designation of Origin Act (PDO) came into existence to certify that olives, amongst other products, belong and are produced in a certain area. Paradoxically, this process of ruralization has been happening simultaneously to the destruction of nature by the recent urban boom of the noughties. The microscopic essence of the olive kernels connects to a global dimension of territoriality and capital flows. Nature is mobilized as a contemporary war machine.

During the performance, guests will be required to use earplugs for their experience of eating and drinking, as a ‘voluntary violent act’ to amplify the experience of swallowing; they are invited to reorient themselves in space with an edible political map.

 

Many thanks to Adrian Lahoud and Beatriz Aragón for their kind support!!

more pictures here

 

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mechanical floor

Phantom: Mies as Rendered Society, 2012 by Andrés Jaque. Photo by Miguel de Guzmán via elcultural

 

Mies Van der Rohe has many secrets to hide. His seminal Barcelona Pavilion (Expo 1929), from which we can only visit a distorted reconstruction since 1986, has recently gone through three brilliant interventions that expose a new narrative beyond manicured minimalism: Mies Cruising Pavilion Montjuic, An Unauthorised Exhibition by independent curator/retired architect Pablo León de la Barra and Friends (9/10/2010), Ghost Forest by sound artist/biologist Francisco López (14/06-31/08/2012) and Phantom: Mies as Rendered Society by architect/political innovator Andrés Jaque (14/12/2012-28/02/2013).

 

Phantom: Mies as Rendered Society, 2012 by Andrés Jaque. Photo by Miguel de Guzmán via elcultural

 

The three installations deal with a machinic vision of the everyday. Mies Cruising Pavilion turns the backside of the architectural icon into a sex machine that makes contemporary spaces of gay sexual intercourse accessible for the public eye. Travertine tiles serve as display for a parallel use of the city that surrounds it. Ghost Forest is a series of field recordings in nature that ‘reveal a ghostly spectrum of frequencies of the transposed forest environments.’ Francisco López’s piece consisted of an on-site live mix of these sonic layers, using the whole podium of the pavilion as a resonance chamber. The visitor barely realized that the amplified sounds of birds were coming out from the gaps between the floor tiles. A new space was discovered.

Jaque’s very recent piece communicates a long-term research on the actual everyday politics behind the miessianic object. After interviews with the cleaning and maintenance staff, architects, managers, invigilators of the pavilion, he has decided to bring up all the gadgets stored in that mysterious basement up onto the noble floor. The perfectly calibrated open flow space that Mies once thought about is masterly interrupted by water hoses, ladders, mops, cleaning boots, damaged travertine floor tiles, worn out red velvet curtains, fragments of original beams, cleaning products and a vacuum cleaner. Jaque’s anthropological irreverence perverts the mythical and brings it back to the human sphere.

Ghost Forest, 2012 by Francisco López. image via sónar festival.

 

^ Mies Cruising Pavilion Montjuic – An Unauthorised Exhibition, 2010 by Pablo León de la Barra & Friends.

 

^ ‘Miguel’ and ‘Ximo’ by Paco y Manolo as part of Mies Cruising Pavilion Montjuic – An Unauthorised Exhibition, 2010 by Pablo León de la Barra & Friends.

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Democratic Transaction

 

My research on Real Estate Speculation along the Spanish coast ‘Displaced Soils: Capital as Circulation of Borders’ featured today at Domus

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